Evan Cobb Jazz » Cobb’s Mob

Thinking of Dexter Gordon

evan — Mon, 15 Jun 2009 19:57:45 +0000

Saxophonist Dexter Gordon is one of the first names I mention to young students looking to get hip to the sounds of jazz. Unmistakable for his saxophone sound and rhythmic feel, Dexter’s playing remains easily identifiable among legions of followers and imitators. I learned a number of standards from his recorded renditions, including It’s You Or No One, Love For Sale, The Shadow of Your Smile, You Stepped Out of a Dream, and Star Eyes.

Dexter showing good posture and proper embrouchure

While Dexter became known to a mainstream audience late in his career due to his leading role in the movie ‘Round Midnight for which he was nominated as best actor for the 1986 Oscars, he has always been known to jazz fans for his use of riffs and quotes in his solos. Wanting to find a better understanding of where that vocabulary came from, I’ve started listening to some of his older tracks, mainly from the disc ‘Dexter Rides Again‘, his first album as bandleader.

Once Dexter got a recording contract from Blue Note Records, he recorded very few original tunes. On ‘Dexter Rides Again’ however, ten of the eleven tracks were penned by Gordon himself. Listening to the heads of a few of these tunes gives the listener an idea of how his compositions reflected his riff-based playing.

Settin’ the Pace, Pts. 1 & 2 - similar to a rhythm changes (Leo Parker on bari)

Download audio file (2-settin-the-pace-pts.mp3)

Blow Mr. Dexter - an unfortunately titled blues

Download audio file (9-blow-mr.mp3)

Dexter Rides Again – an original tune and the title track

Download audio file (5-dexter-rides-again.mp3)

It’s also worth noting how much you can hear Lester Young’s direct influence on Dexter’s playing in 1945. In fact, if you check out the Verve album ‘Lester Young Trio‘ released in 1994, you’ll find four Dexter Gordon tracks recorded in 1943 at the end of the disc.

At the Cobb’s Mob! gig last weekend here in Nashville, we played a Dexter Gordon tune penned in similar fashion. Here’s our version and my solo:

The Chase – recorded 6.7.09 at Cafe CoCo

Download audio file (the-chase-6709-solo-edit.mp3)

How has Dexter Gordon influenced you?

- evan

Media From 3.29.09

evan — Sat, 04 Apr 2009 17:33:56 +0000

Last Sunday was an exciting day for me as I got a chance to play with the Nashville Jazz Orchestra in the afternoon and lead Cobb’s Mob! at night. NJO played an afternoon set at the Limelight, and I got a chance to wail on a Mike Crotty arrangement of Dolphin Dance and Christina Watson’s tune Free. I’ll be playing with the NJO two more times this month as well, on the 15th and the 23rd.

EC behind Jim Williamson, next to Denis Solee

At Cafe CoCo I debuted a couple new tunes and arrangements. I’m not going to spoil those for you by posting them on here, but I have included some playing highlights below.

Straight, No Chaser arranged by EC.

Download audio file (straight-no-chaser-solo-edit-32909.mp3)

EC and Russell Wright

Rhythm-a-ning by Thelonious Monk

Download audio file (rhythm-a-ning-solo-edit-32909.mp3)

Joe Gross shreds on the Flugel horn

There should be another Cobb’s Mob! show coming soon as well as a bunch of other performances. Keep checking back here for details.

- evan

Sound Clips and Photos from 1.25.09

evan — Tue, 27 Jan 2009 16:40:09 +0000

The debut of Cobb’s Mob went off successfully at Cafe CoCo this past Sunday night. Please enjoy some of the highlights below and feel free to add commentary.

- evan

Joe Gross, trumpet. Jonathan Wires, bass

Questionable Beliefs Download audio file (Questionable Beliefs CoCo.mp3)

EC soloing

Crack or Jack Download audio file (crack-or-jack-12509-solo-edit.mp3)

The Quintet

How High The Moon (by M. Lewis) Download audio file (How High The Moon 1.25.09.mp3)

Sharing a Laugh

Wail (by Bud Powell) Download audio file (Wail 1.25.09.mp3)